Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
Masks painted, mounted and photographed by O.E. Fitzgerald 2021.
This project, painting masks of fairies from William Shakespeare’s play A Midsummer Night’s Dream, explores my need for vicarious pleasure through diving deeply into the imaginary while keeping my feet grounded firmly in the real world.
Puck, Oonagh E. Fitzgerald, 2021, 7 X 9 inches, pencil, ink, water soluble crayons, paints and glaze on prefabricated paper mask.
Jealous Oberon, Oonagh E. Fitzgerald, 2021, 7.5 X 9.5 inches, pencil, ink, water soluble crayons, paints and glaze on prefabricated paper mask.
Proud Titania, Oonagh E. Fitzgerald, 2021, 7.5 X 9.5 inches, pencil, ink, water soluble crayons, paints and glaze on prefabricated paper mask.
Peaseblossom, Oonagh E. Fitzgerald, 2021, 7.5 X 9.5 inches, pencil, ink, water soluble crayons, paints and glaze on prefabricated paper mask.
Cobweb, Oonagh E. Fitzgerald, 2021, 7.5 X 9.5 inches, pencil, ink, water soluble crayons, paints and glaze on prefabricated paper mask.
Mustardseed, Oonagh E. Fitzgerald, 2021, 7.5 X 9.5 inches, pencil, ink, water soluble crayons, paints and glaze on prefabricated paper mask.
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How to Make Art in Times of Global Crisis
April 28 – May 2, 10:00 a.m. - 6 :00 p.m.
Milieux Video Production Studio (EV-10-760), Concordia Engineering And Visual Arts (EV) Bldg., 1515 Saint-Catherine St W., Montreal.
Join Oonagh Fitzgerald in this pop-up arts and crafts exposition to explore those nagging questions:
Do art and performance matter in times of global crisis?
Can artists and performers contribute to addressing global crises?
Does international law matter in time of global crisis?
and more ...